Karol Felix’s art is miscellaneous, just like his themes and expression language. It is a story of an artist following his light. Honestly, patiently, gracefully. It is open to communication, but does not take into account the viewer’s taste. It rejects nonchalance, endless repetition of established patterns and riding on previous accomplishments. Which is one of the things that makes it true.
The exhibition project Into the Nature of the Gallery? is a kind of a (post/humane) contemplation on the behaviour, status and perception of the individual (artist/man). The Nitra Gallery visitor will be confronted with traces (metaphors) of nature that have been brought into the gallery in the form of artistic artefacts.
Robert Bielik’s (1963) solo exhibition is his first presentation in Nitra Gallery’s Representative Halls...
The Time of Servants is a documentary introspective into the gallery’s acquisition history...
The composition of the exhibition project titled Stories of (After) Life is a rather “surreal curatorial automatism” (if something like that is even allowed to exist in today’s world)...
How can we define and understand freedom?
The Harvest exhibition presents artworks with agricultural motives that are a part of the Nitra Gallery’s collection...
A dominant female curator and a subjugated male curator created an exclusive exhibition in nine acts...
The exhibition titled the Compression of Emptiness presents an pressing Polish and Slovak dialogue of various sculpture forms and shapes of two intermedia artists...
The monographic exhibition by a Czech photographer, painter and performer Veronika Šrek Bromová is the largest monographic exhibition that has ever been held at our scene...
