Each historical period a nation experiences requires the immersion into the distant past of previous generations. It is only then that the nation learns to know the roots of its national and cultural existence, the fate of generations and individuals that had lived their lives before.
Nitra, in the past an important commercial and cultural centre, lived through one of its most significant historical moments in the period of the Great Moravia, when brothers Cyril and Methodius from Solun came to the territory of Slovakia.
Artists, musicians, writers but also painters and sculptors payed homage to the spiritual message the two brothers, priests, left behind.
The acquisition fund of the Nitra Gallery contains several presentations of these saints by various authors. One of them is also Schurmann’s tiny artwork painted in the technique of acquatint from 1933. The author reproduced his own oil painting of Cyril and Methodius from 1929 (203 x 100 cm) that was commissioned by the Bishop’s Office in Nitra.
This monumental artwork was exhibited at Salone des Independents in Paris where it was highly appraised by conservative critics. As Štefan Valent (1908 – 2007), the founder of the Nitra Gallery, writes in his catalogue to accompany the exhibition of Maximilián Schurmann (1890 -2007) at 100th anniversary of the artist’s birth: “according to the author the models were old-world, patriarchally looking former secondary school teachers from Nitra.”
The composition of two figures is descriptive, it corresponds with all appropriate canonical attributes. St. Cyril is dressed in a monk’s habit with the opened Bible and respectful expression on his face as if he was talking to the people and explicating the Bible. St. Methodius who stands next to him listens to the words of his brother. He is also depicted with all appropriate canonical attributes: bishop’s staff, mitre and bishop’s robe. Both saints were declared the copatrons of Europe in 1980.
The focus of Maximilián Schurmann’s works are sculptures. As for Schurmann’s graphic works he focused more on this medium later in the first half of the thirties of 20th C, shortly from 1931 to 1933 when he created most of his graphic works. It is also the period when this sacred artwork Cyril and Methodius in the technique of aquatint originated. He used subtle, soft shadowing accentuating the optic qualities of light.
(Poznámka: Maximilián Schurmann ovládal päť cudzích jazykov: francúzsky, taliansky, nemecky, anglicky a maďarský jazyk.)
— Marta Hučková, july 2013
Secondary Literature
Valent, Š.: Maximilián Schurmann. Vydala Galéria F. Studeného v Nitre, 1990
Adamusová, D.: Maximilián Schurmann (1890-1960). Vydala Nitrianska galéria, 2000
Hučková, M.: Maximilián Schurmann (1890-1960) In.: kresba/grafika/akvarel. Vydala Nitrianska galéria, 2010
Fischerová, A.: Pocta solúnskym bratom. Originál-mesačník Ponitrianskej galérie v Nitre, roč. 4, č.7
Inventory No.: G 402
Artist: Maximilián Schurmann
Title: Cyril and Methodius
Year of Origin: 1933
Technique: aquatint
Dimensions: 24, 5 × 12 cm
Marked: in the right bottom corner under the pencil imprint: Max Schurman 33.
